A woman with long dark hair sitting and holding a large white lily flower.

PHOTOGRAPHY AS A PATH

BACK TO MYSELF

Personalised workshops for women in the healing process, guided by twenty years of personal and professional practice.

Black and white photo of a woman with dual layered, blurred face effects. She has long dark hair, wears a black spaghetti strap top, and stands in front of a background split into black and white halves.

Since I picked up the camera, it has been my way of returning home to my own body. It began as a personal need, an attempt to see myself without the ever-present critical voice that usually gets there first, with no judgement but rather with love.

Over nearly two decades, that quiet, personal practice of self-portraiture became something I now understand as a form of healing. I've used it through the darkest times of my life - to process pain I didn't have words for, to slowly rebuild a relationship with my body after it had felt unsafe, to battle mental health, self-harm, and to prove to myself, one photograph at a time, that I was still here.

It became a tool I still use regularly today. My best friend, my therapist, my safe space. (See full personal gallery HERE.)

Black and white diptych photo of two women with outstretched arms, looking directly at the camera. The woman on the left has long dark hair and a serious expression, while the woman on the right has shoulder-length dark hair and a similar serious expression.

I am not a therapist. I am a photographer. But I’ve witnessed, from lived experience and helping others, what can happen when a woman allows herself to be seen, or to see herself, with care, acceptance, and no judgment.

This workshop stems from that experience. It is designed to support women through recovery processes after mental or physical abuse, alongside the professional team of each organisation. It does not aim to produce "good photos." It seeks to create a safe space where the body can, little by little, cease to feel like a dangerous place.

A practical experience that has the power to transform into a personal practice where one can access and re-connect with oneself every time, in every place they need.

Black and white photography grid of six images showing a woman sitting with knees pulled to her chest, holding or covering her face with a large lily flower, with dramatic lighting and shadows creating silhouette effects.

Why Photography?

A camera can do something a mirror can't: it holds still.

It lets you come back to an image later, on your own terms, when you're ready. I creates a healthy separation, a small, safe distance between the body and the mind - enough distance to look it as a viewer, with objection, but enough closeness to still feel it's yours.

This is the foundation of this workshop. A safe, transformative space for women to connect back to themselves and their body.

What this workshop is?

This worksop is a slow, structured, gradual process. It’s never rushed, never forced or exposed in front of a camera from the first day.

We begin from a distance with the body, move on to the gaze, and only when each woman is ready, on to the self-portrait and/or close-ups. a process that carries her from safety, to agency behind the camera, to (in her own time) being in front of it herself. It is always run alongside the psychological or social work already being done by the organisation. It is a complement to that care, never a replacement for it.

The process unfolds in stages: beginning with the body and breath, with no camera involved at all. Moving to holding the camera and photographing others or objects, to practice an active, chosen gaze. And only later, gradually, to self-portraiture - always on each woman's own terms, always with the right to stop, skip, or say no at any point.

What this workshop is not?

It is not a conventional photoshoot. It is not about producing polished or "beautiful" images.

There is no pressure to show your face, your body, or anything you don't choose to show. Nothing is shared outside the group without written consent.

A woman looking at herself in a mirror with a blurred reflection, wearing a black top or dress.
A woman with long brown hair sitting on a staircase, partially concealing her face with her arm. She is wearing a black dress.
Black and white portrait of a woman with her eyes closed, holding her neck with her hand, against a dark background.

Who is it for?

This workshop is suitable for organisations, shelters, and foundations supporting women who are recovering from domestic violence, abuse, or trauma, and who are looking for an embodied, creative complement to their existing psychological and social support.

An invitation

If you work with women in this kind of process and think this could be a meaningful addition to what you already offer, I'd love to hear from you.

I'm open to adapt and collaborate regarding the format (one session or several, individual or group) in order to fit the women you support.

To discuss further, please fill the contact form below.

PORTFOLIO

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WORKSHOP    

Book your healing photography workshop with Mariya Mileva by filling out the contact form.

We will be in touch shortly to arrange the additional details with you. Feel free to share any ideas or special enquiries you have in mind.

Blurry black-and-white photo of a person with dark hair and glasses, facing left, with a dark background.

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